A
-
Australian literature
(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
-
Autobiography
Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast [Volume 2, Issue 1, 2020, Pages 22-39]
C
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Cartoon Saloon Studio - Remediation
Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
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Celtic Orientalism
Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
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Critical Discourse Analysis
The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis [Volume 2, Issue 1, 2020, Pages 135-151]
D
-
Discourse Historical Analysis (DHA)
A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions [Volume 2, Issue 1, 2020, Pages 117-134]
F
-
Fictional space
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
I
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Identity
(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
-
Illness narratives
Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast [Volume 2, Issue 1, 2020, Pages 22-39]
-
Indigenous culture
(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
-
In-yer-face theatre
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
-
Irish Aesthetic Animation
Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
M
-
Megaspectacles
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
N
-
Narratology
(Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
-
Neo-Nazism
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
-
Newspaper Headlines
The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis [Volume 2, Issue 1, 2020, Pages 135-151]
P
-
Phyllis Nagy
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
-
Point of view
The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
-
Post-Apocalyptic Literature
The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
-
Postcolonial Studies
Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
-
Presentational space
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
-
Propaganda
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
R
-
Revolution
A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions [Volume 2, Issue 1, 2020, Pages 117-134]
T
-
Terror-Spectacles
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
-
Theatricalization
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
-
The Hunger Games
The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
-
The Strip
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
-
Totalitarian Regimes
The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
V
-
Visual Analysis
Breaking Stereotypes: A Multimodal Analysis of the Representation of the Female Lead in the Animation Movie Brave [Volume 2, Issue 1, 2020, Pages 170-194]
W
-
White Supremacism
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
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