Keyword Index

A

  • Australian literature (Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
  • Autobiography Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast [Volume 2, Issue 1, 2020, Pages 22-39]

C

  • Cartoon Saloon Studio - Remediation Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
  • Celtic Orientalism Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
  • Critical Discourse Analysis The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis [Volume 2, Issue 1, 2020, Pages 135-151]

D

  • Discourse Historical Analysis (DHA) A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions [Volume 2, Issue 1, 2020, Pages 117-134]

F

  • Fictional space The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]

I

  • Identity (Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
  • Illness narratives Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast [Volume 2, Issue 1, 2020, Pages 22-39]
  • Indigenous culture (Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
  • In-yer-face theatre The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
  • Irish Aesthetic Animation Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]

M

  • Megaspectacles Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]

N

  • Narratology (Re)Narrating the Self: Cross-Cultural Identity and Multivocality in Kim Scott’s That Deadman Dance (2010) [Volume 2, Issue 1, 2020, Pages 10-21]
  • Neo-Nazism Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
  • Newspaper Headlines The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis [Volume 2, Issue 1, 2020, Pages 135-151]

P

  • Phyllis Nagy The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
  • Point of view The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
  • Post-Apocalyptic Literature The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
  • Postcolonial Studies Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
  • Presentational space The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
  • Propaganda Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]

R

  • Revolution A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions [Volume 2, Issue 1, 2020, Pages 117-134]

T

  • Terror-Spectacles Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
  • Theatricalization Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
  • The Hunger Games The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
  • The Strip The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
  • Totalitarian Regimes The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]

V

  • Visual Analysis Breaking Stereotypes: A Multimodal Analysis of the Representation of the Female Lead in the Animation Movie Brave [Volume 2, Issue 1, 2020, Pages 170-194]

W

  • White Supremacism Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]